back at South Park -- Kiedis, the lead singer from the Red Hot Chilli Peppers had taken a seat on a couch in front of a TV after having sat on a tall stool behind a professionally lit white back drop (of white sheets) for Karen and Martha to professionally take his photograph smelling a flower and wearing a ring of flowers in his hair for Leonardo's latest painting: Jesus, every day one crosses into California illegally ......... after the correct photographs were taken, Martha and Karen were free to disassemble the photo shoot area and in fact, Karen administered to Kiedis who complained of sore feet after an insane past few day that nobody wanted to really know about by positing a little basin of hot-salted waters for Kiedis to place his feet in before the television which played French movie Amelie Pulin.
As Leonardo sat before his easel nearby Kiedis preparing his painting by actually painting in his foundation background colors , both livers sipped their Frappucinos....... on the unwatched television in the next room, the State of the Union debate played on...
a reporter from Rolling Stone magazine was also hanging about with Kiedis on the couches along with Martha and Karen that were buzzing in and out and one or two other South Park Comedy Central production team women that wanted to hang out with Kiedis....... the Rolling Stone supporter was currently on acid (lysergic) and tripping at the colors in the French movie..... Kiedis wouldn't let anyone know what had gone on in the past few days but there must have been some insane partying going on -- he was shirtless and glistening with sweat despite the aircon -- some of the women fussed about his Indian tattoos...... at this point, Kiedis sniffing his flower, uttered his most mysterious, profound utterance that he ever uttered or ever would utter until his final expiration on this giant marble rolling through the limitless meadows of stars and black universal void:
"One of you is going to be Trey like Jesus," were his famous words. Everybody that was there to witness it recalled it the same way, but historically nobody knew what he meant:
One of you is going to betray like Jesus -- as if Jesus were going to be betrayed
or
One of you is going to betray like Jesus -- as if Jesus were somehow capable of imperfection and therefore of betraying
or
One of you is going to be Trey (presumably Parker) like Jesus -- as if Jesus was somehow like Trey Parker
or
One of you is going to beat tray like Jesus as if Jesus somehow was a person known for beating trays (eg., those used in photocopying machines or school cafeterias and cafeterias in general)
or
One of you is going to beet ray like Jesus referring to the beetroot vegetable and a mysterious ray....
there was no telling what Kiedis meant but after Rolling Stone reported it along with one of the photographs of him in his flower pose and a write-up on Da Vinci's commissioning of his new painting -- there was all kinds of brew-ha-ha across the world about religion and christianity and Islam --- Kiedis' previous remarks like Allah flying in a spaceship seemed as nothing compared to his: "one of you is going to be Trey like Jesus" --- even Leonardo didn't know if he meant like as to like someone as in love or like as in a preposition simply meaning as or in the same way as.......
regardless -- in the next room, on the unwatched CNN the lively panel debate with Lucas, Petraeus and a number of other geo-political experts had deteriorated into a bitter shouting match over which Jedis and dark-side-of-the-force Jedis had the most midiclorians --- one person posited that Count Dooku did, the next that Luke Skywalker was the greatest, the next that Yoda was, the next that Darth Maul or even Darth Sidious had the most midiclorians -- some even argued that Jedis of the dark side of the Force could not have midiclorians but potti-clorians --- there was no telling.....
Blitzer and King, having finished their day's work for CNN in CNN's Manhattan studios -- both proceeded to undress right by their respective drums and guitar/amp/pedal set-up as soon as the floor manager called, 'and we out,'.... both of them had sporting outfits underneath their suits: Blitzer sported white tennis shorts and a white tennis shirt, long white forearm wrist/sweatbands and a white forehead strap/sweatstrap -- he changed his shoes to excellent sport shoes for playing tennis, picked up a racket and started fixing its strings and placed it in a black loose billowing bag on his back that read 'Wilson'.... King was wearing loud colorful baggy shorts and shirt and left his green transparent poker cap on, kept his sports shoes on and wore a similar bag on his back which he placed a basketball into ---
both players left the studio via the window and started skateboarding their way towards Greenwich Village in Manhattan which they were relatively close to.... the traffic going in their direction was gridlocked -- the soundtrack played Snoop Dogg's version of Riders on the Storm....... both players were master skateboard riders -- they described large fishtails on the non-gridlocked side of the road as they rode on it into oncoming traffic of which there was very little......
King kicked with his left leg despite playing drums in the conventional right-legged manner -- like birds of prey with room to move on the non-trafficky side of the ride -- they first spotted a police-car gridlocked into a middle lane -- a policeman or woman (indecipherable) sat with a take-out coffee cup and an elbow bracing out of an open passenger side window -- King swooped in and agilely swept his way up the lane and knocked the coffee onto the police officer within and said:
'Oops!' said King as he kicked on, the officer within the car was painfully burnt with scalding coffee.
Blitzer saw some kids standing by the road on the sidewalk holding ice-creams and drinks -- Blitzer rolled up close and mightily forehead slapped one kid with an open palm while taking his strawed soda with the other hand and saying:
'Move it or lose it grandson!'
The kids on the pavement started complaining about 'the older generation,' and 'old people today,' and how having to pay old people's pensions would drive them and the economy into the ground.
Both players made an incredibly beautiful 90 degree turn into another busy road merely by leaning back towards the direction they wanted to turn into at 30 degree angles....... on the corner was a very obese man who threw something for King to catch which he did gracefully as he described his long turn,
"My african-American!! I'll pay you for that this weekend
for that."
To which the man on the street nodded.
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